nobrashfestivity:
“Edward Hopper, Chop Suey, 1929
more
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nobrashfestivity:

Edward Hopper, Chop Suey, 1929

more

thunderstruck9:
“Cressida Campbell (Australian, b. 1960), Nasturtiums, 2002. Colour woodblock, 58.4 x 60 cm.
”

thunderstruck9:

Cressida Campbell (Australian, b. 1960), Nasturtiums, 2002. Colour woodblock, 58.4 x 60 cm.

stchrist:

“What constitutes the alienation of labor? First, that the work is external to the worker, that it is not part of his nature; and that, consequently, he does not fulfill himself in his work but denies himself, has a feeling of misery rather than well-being, does not develop freely his mental and physical energies but is physically exhausted and mentally debased. The worker, therefore, feels himself at home only during his leisure time, whereas at work he feels homeless. His work is not voluntary but imposed, forced labor. It is not the satisfaction of a need, but only a means for satisfying other needs.”

Karl Marx, “Alienated Labor”

screenshottery:

Disputed spaces in The Battle of Algiers (1966, Gillo Pontecorvo, dir.)

thunderstruck9:
“Giorgio Morandi (Italian, 1890-1964), Natura morta [Still Life], 1920. Oil on canvas, 34.3 x 42 cm.
”

thunderstruck9:

Giorgio Morandi (Italian, 1890-1964), Natura morta [Still Life], 1920. Oil on canvas, 34.3 x 42 cm.

via mauveflwrs

shinjiaratani:
“at Shonan ©shinji aratani
”

shinjiaratani:

at Shonan  ©shinji aratani

periscope-9:

image
image
image

Life above.

High Atlas Mountains, Morocco.

By Periscope9

sensualkisses:

“Goodnight dear. If you were in my bed it might be the back of your head I was touching, where the hair is short, or it might be up in the front where it makes little caves above your head. But wherever it was, it would be the sweetest place, the sweetest place.”

— Zelda Fitzgerald, Letter to F. Scott Fitzgerald, 1931

wordsthat-speak:

“We are able to find everything in our memory, which is like a dispensary or chemical laboratory in which chance steers our hand sometimes to a soothing drug and sometimes to a dangerous poison.”

— Marcel Proust